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No. 6 is the width of the cup, its diameter on the inside of the rim. No. 7 is the outside diameter of the rim. The 8th critical measurement is diameter of the shank at the very bottom or end where the shank makes contact with the mouthpipe that is shown in part in Figure B [below] where the tubing inside the mouthpiece receiver pipe abuts, or should abut, the shank end of the mouthpiece.
The system consists of interchangeable “TOP” sections and “BACKBORE” sections.
he wider or more open we make the shoulder of the throat, the mellower becomes the tone. In I the throat and cup shape combine into one long cup similar to that in a French horn mouthpiece, which, if used on the trumpet, is colorless. It is possible to achieve a judicious combination with the shallow cup which aids the lip and still avoid the stridency of tone usually produced by such a mouthpiece as F. This is done by opening the shoulder somewhat as shown in E, resulting in the double-cup originally designed by L. A. Schmidt of Cologne about seventy years ago for use in the low F, E, Eb, and D trumpets used by R. Strauss. These latter instruments incidentally but significantly, were played in the upper harmonics like a French horn. The double-cup mouthpiece makes for easier control in the difficult high passages.

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As shown in the dimensions of mouthpieces by Rohner, the average throat diameter uses a 27 drill size. Small throats of 30 or even smaller and extremely large throats of 18 or 19 used by some players, but these extremes should be avoided by the average player.

A throat made with a drill No. 27 having straight sides for as much as 3/4 inch will tend to cause the player to play sharp in the high register. On the other hand, if the straight sides of the throat are too short, the player will tend to play flat in the high register. Thus intonational tendencies, either sharp or flat, can usually be corrected in the mouthpiece.

If the backbore flares out rather rapidly, the tone will be full but slightly more difficult to control. If the backbore becomes straighter, with less flaring out, the tone becomes thinn
own a common deficiency in which there is an appreciable gap between the end of the shank of the mouthpiece and the beginning of the mouthpipe. The two should meet. To correct the deficiency, the shank is turned down somewhat on a lathe so that it will be small enough to meet the end of the mouthpipe. A marked improvement in playing of the instrument is thereby effected.

Figure L [to the left] shows a cut-away section of a mouthpiece and receiver pipe. Notice the substantial overlap from the end of the shank to the mouthpiece. This is a serious defect. Though it does not show a gap between the end of the shank and the beginning of the mouthpipe as in B, it is possible that if the shortcoming of B is remedied, the present overlap as shown in L remains.

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mouthpieces for New Products:
Beechler introduces an all new TENOR Mouthpiece.

This mouthpiece is the last design of Elmer Beechler. It was completed by Mark Costner of the design team of Remlé Musical Products, Inc. It will be used for the Black Diamond line and White Diamond line.

There will also be a special Custom Series called the “Leonani ” - Hawaiian for Beautiful Voice. The models in the Leonani Series will be a mouthpiece for Jazz, for Studio, and a 110+ model.
saxophone and clarinet
7. Backbore
8. Shank

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TIPS ON SELECTING A MOUTHPIECE: Tip openings, tone chambers, types of materials, length of lay etc., are very important in the playability of any mouthpiece. However, the most important consideration is how it plays for you! The complete line of BEECHLER and ARB mouthpieces offers an almost unlimited selection and variation to provide any player, from the beginning student to the discriminating professional, a comprehensive range of playability and response to suit any embouchure or musical style. Click Here to Read More…

See our new premium products. Our online store includes the AMMA mouthpiece as well as other innovative accessories designed for the utmost in functionality and aesthetics.

Read reviews, listen to sound clips and hear what our Professional Endorsers and Customers are saying about the new AMMA mouthpiece.
> Read More

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We are in the process of updating the web site with some exciting new products :

—Stainless screw rims - now offered with H-Kote™

—Graham Ashton artist series of mouthpieces for trumpet, rotary trumpet, piccolo trumpet, and cornet.

— H-Kote™ Gold Titanium Nitride coating for stainless steel mouthpieces- It’s beautiful, comfortable, highly biocompatible for those with metal allergies, and it will virtually last a life time. Click on the link -upper left.

— We will feature (not sell) in depth, select Loud Mouthpiece models for this hugely succesful and expanding line of stainless steel mouthpieces.

—Dave Taylor stainless bass trombone models later this year!!
* PRELUDE
* REED OVERVIEW
* INTERLUDE
* MOUTHPIECE OVERVIEW

For additional information - use the ALL QUESTIONS link
at the end of this page.

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As a PRELUDE to a discussion of reeds and mouthpieces, it is essential to note the function of the REED-MOUTHPIECE-INSTRUMENT as an acoustical system. For reference, advantage is gained from a glance at string instruments: one can easily perceive that all the tone which radiates from a violin is caused by a single source - i.e. the strings. For reference we assume a bowed violin, tuned at A=440 Hz.

1) a string is powered by the violin bow
2) the energy from the string is coupled to the violin body
by the bridge and sound post
3) the pitch of the string is varied by finger position on the finger board
4) the violin body acts like a sympathetic, multi-pitch resonator

While it seems as though all of the tone is created by the After another round of squeezes the profile is right. Note the hills and valleys of the inner edge. It will be difficult to get a good seal with such an irregular inner edge. So use little pulls and pushes to even out the hills and valleys…

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The lawsuit was filed on behalf of Kerry Inman, a New Jersey woman who claims that she tried to log into the site to buy tickets to Cyrus’ Atlantic City, N.J., performance at the moment the tickets went on sale and was unsuccessful.

The Web site does not guarantee ticket availability, but represents that members who log on shortly after tickets become available will have a good opportunity to get them, according to the lawsuit.

On TV, Cyrus plays high school student Miley Stewart, who lives a secret double life as a fous pop star, Hannah Montana. Her show reaches 5 million viewers a week.

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Views on the need for new laws have tended to split along party lines, with Democrats generally supporting them and Republicans opposing them. Even so, virtually no action has occurred in this year’s Democratic-controlled Congress–aside from the early-January reintroduction of last year’s Senate proposal, which hasn’t gone anywhere since–leaving some to ponder whether the debate is dead.

Along with recent pledges from Democratic presidential candidates like Barack Oba to enact Net neutrality laws if elected president, Markey’s planned reintroduction indicates the sleeping beast may awaken yet
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Wednesday, 14,
Regan files $100M suit against publisher

If the actual individuals had remained anonymous in this article it could have almost been taken for a soap opera script. An alleged affair, legal dra, politics and a substantial ount of money.
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By SUEL MAULL, Associated Press WriterTue Nov 13, 9:59 ET
One-time book publishing powerhouse Judith Regan filed a $100 million defation lawsuit Tuesday saying her former employers asked her to lie to federal investigators about Bernard Kerik, the former police commissioner who was once her lover, and tried to destroy her reputation.